In Translation

Fiona Davies, Merryn Hull, Nerine Martini, Bernadette Smith, Eila Vinwynn
In Translation

18 October – 3 November
Presented by University of Sydney Master of Art Curating students: Faye Chen, Karen Cheng, Amber Fu, Rachael Helmore, Tian Kang, Yunyan Tang, and Danyi Wang

Small square block with printed image of lines of blurred, colour dots, from blue to yellow to black, on a white shelf.

Bernadette Smith, Equinox 2, 2018, acrylic block photo, 15 x 15cm. Photography by Zan Wimberley.

Artist Statement

To translate is to convert something from one form into another; aiding communication and meaning across languages, times, cultures, or mediums. In Translation brings together the work of five postgraduate artists from Sydney College of the Arts: Fiona Davies, Merryn Hull, Nerine Martini, Bernadette Smith, and Eila Vinwynn. As each artist translates their ideas across different mediums, meanings are continually challenged and restructured. Their investigations range from the refraction of light to material transformations, from structures of language to the intersection between life and death. 

Curated by students currently studying the Master of Art Curating at the University of Sydney, In Translation coincides with three further exhibitions at Sydney College of the Arts, which feature each artist in more depth. With this collaboration across campuses comes the movement and ‘translation’ of artworks and ideas from one space to another, and the consideration of each artist, curator and viewer as both ‘translator’ and meaning-maker. 

A pile of sandbags in a line against a wall of the gallery.

Nerine Martini, Survival Strategies, 2018. Sandbags, dimensions variable. Photography by Zan Wimberley.

Close up on the sandbags - the ones at the top have red embroidered cursive words, some reading: "longing, belonging, homeless, change, accept...".

Nerine Martini, Survival Strategies, 2018. Sandbags, dimensions variable. Photography by Zan Wimberley.

Installation view. Left, a large steel frame and mirror structure, reflecting a painting on the left. Right, an acrylic sheet square sculpture on the wall, lit with a fluorescent light from inside.

L - Merryn Hull, Meccano, 2018. Aluminium-framed structure on castors with surface-mounted two-way acrylic mirror panels 240 x 120 x 50cm. R - Merryn Hull, Stair # 3, 2018. Aluminium-framed grid with digitised image printed onto two-way acrylic mirror, acrylic sheets with fluorescent lights and electrical cables, 60 x 60 x 3cm. Photography by Zan Wimberley.

Large abstract paiting. Squiggles and lines that resemble spray paint in red, blue, yellow, pink and black on a light blue background.

Eila Vinwynn Broadway BW, 2018 oil and acrylic on canvas, 200 x 285cm. Photography by Zan Wimberley.

Left, 3 sculptures with structures made of bamboo sticks on 3 plinths. Right, Large abstract painting of smudged black lines on a white background.

L - Nerine Martini, Scaffold II, V, VI, 2017 bamboo, string, plywood, dimensions variable. R - Eila Vinwynn, idk, 2016 enamel on canvas, 174 x 130cm. Photography by Zan Wimberley.

Left, Red and white striped fabric is suspended to create a room like space with a table, chairs and a lamp inside. Right, video monitor displaying two people sitting in a red and white striped room.

L - Fiona Davies, Racing Patience ICU, 2018 canvas, paint, found objects, two packs of cards, printer material, 270 x 290 x 1.7cm. R - Fiona Davies, Racing Patience ICU, 2018 colour video of performance by Fiona Davies with Tom Isaacs and Lizzy Marshall, videographer Danica Knezevic 41.55 minutes. Photography by Zan Wimberley.

Close up of an installation work. A room space with red and white striped table, chairs and wall. A green and red pack of cards alone with game instructions and medical form are on the table. A lamp beside shines down on the table top.

Fiona Davies Racing Patience ICU, 2018 canvas, paint, found objects, two packs of cards, printer material, 270 x 290 x 1.7cm. Photography by Zan Wimberley.

Left, video monitor displaying blurred video in purple, orange and black. Middle, large circular photo of blurred blue, yellow and black dots. Right, Small acrylic block printed with the same image on a shelf.

Left to right. Bernadette Smith, Glass diffractions, 2018, Video loop, Mp4. Bernadette Smith, Equinox 1, 2018, dye sublimated photo on aluminum, 102cm diameter Custom printed by Print 2 Metal studio. Bernadette Smith, Equinox 2, 2018, acrylic block photo, 15 x 15cm. Photography by Zan Wimberley.

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